![]() ![]() Submitting audio recordings of your submitted compositions is encouraged but not required.Your portfolio should demonstrate talent, some knowledge of contemporary music, and technical skill Submit at least three (3) original compositions in good manuscript form.Barber – Hermit Songs (high key complete)Īuditioning pianists will be asked to sight-read vocal and instrumental repertoire and may be asked to read the text of any art song from their audition repertoire.Debussy Ariettes Oubliées (complete high key) or Fauré – Violin Sonata in A Major, Op.13īeethoven – Violin or Cello sonata (complete)īrahms – Violin or Cello sonata (complete).Boston area auditioning pianists must supply their own collaborative partners.įor the audition, you will need to choose one component from each of the four listed categories: Doctor of Musical Arts (DMA) RepertoireĪll auditioning pianists are asked to submit their complete audition repertoire list to Professor Shiela Kibbe by early January to ensure the availability of on-campus collaborating instrumentalists and singers. One sonata for violin or cello by BrahmsĪuditioning pianists will be asked to sight-read vocal and instrumental repertoire and may be asked to read the text of any art song from their audition repertoire.One sonata for violin or cello by Beethoven.Instrumental: Two complete (all movements) duo sonatas:.Ita’s Vision, from Hermit Songs (high key) Vocal: Four classical art songs in original keys:.For the audition, you will need to prepare: Pianists coming from out of town who are unable to bring their own collaborating partners can contact Professor Shiela Kibbe to make arrangements. Boston area auditioning pianists must bring their own collaborating partners to the audition. ![]() ![]() A live audition for these programs is required.Īuditioning pianists must perform with a partnering singer and instrumentalist in the in-person final audition. *Artist Diploma and Opera Institute applicants are required to submit a prescreening recording, and if invited, attend a live audition. This can be completed through our online portal, Acceptd. We’d love to see you audition or interview on our BU campus! However, many applicants* may choose to submit a final video audition in lieu of a live audition. For instruments which do not require prescreening, applicants will be invited to schedule their live audition via the Acceptd portal. Applicants who plan to attend a live audition should verify their instrument’s prescreening requirements. Audition Format Live On-Campus AuditionsīU School of Music hosts most live auditions throughout January and February. Scroll down to learn more about prescreening, scheduling your audition, and final audition repertoire requirements. Many of our programs allow for flexibility in choosing either a live on-campus audition, or a recorded audition. Morceaux inclus : Tanguinho (Aline Sans) Sicilienne (Gabriel Fauré) Danse polovtsienne (Alexandre Borodine) Rosemary's Baby (Krzysztof Komeda) Danse des Sauvages (Jean-Philippe Rameau) On The Road Again (Bernard Lavilliers) Johnny I Hardly Knew Ye (trad.The most important part of your School of Music application is your audition. Un CD accompagne l'ouvrage, et reprend tous les titres dans une version découte de grande qualité. Chaque morceau est accompagné d'un portrait de son compositeur, ainsi que de conseils sur le jeu pianistique. Chacun pourra retrouver tour à tour sous ses doigts le thème du film Rosemary's baby, une chanson de Radiohead, de Michael Jackson, un standard du jazz comme Take The A Train joué par Duke Ellington, ou encore une Danse hongroise de Brahms. Les arrangements de variété, musique de films, jazz et musique traditionnelle sont élaborés dans le plus grand respect des oeuvres originales afin de procurer un maximum de satisfaction et de plaisir. All these features make for an enjoyable and delightful performance!Ĭe répertoire, bien connu des apprentis pianistes, s'adresse à ceux qui étudient l'instrument depuis environ cinq années. This is superbly contrasted by the quirky Allegro Giocoso (fast and cheerful) composed in the relative major. Much of the composer's works show neo-classical features which is also the case inSicilienne Et Allegro Giocoso where the texture is predominantly melody dominated homophony cadences are frequently heard and modulations to related keys occur despite tonality being interestingly exploited.Grovlez's C minor Sicilienne is unusual in style as it is composed in common time yet the triplets and sextuplets in the Bassoon part provide the 'tarantella feel' required of the musical genre. Grovlez's Sicilienne Et Allegro Giocoso is a sublime addition to the Bassoon repertoire. His compositions proved to be extremely versatile from Operas and Ballets to solo works. For Bassoon and Piano-Gabriel Grovlez (1879-1944) studied under Gabriel Fauré at the Paris Conservatoire.
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